::: snowflakes :::

Out of the bosom of the Air,
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent, and soft, and slow
Descends the snow.

Even as our cloudy fancies take
Suddenly shape in some divine expression,
Even as the troubled heart doth make
In the white countenance confession,
The troubled sky reveals
The grief it feels.

This is the poem of the air,
Slowly in silent syllables recorded;
this is the secret of despair,
Long in its cloudy bosom hoarded,
now whispered and revealed
to wood and field.

~Henry Wadsworth Longfellow

::: alas! how changed from the fair scene :::

When winter winds are piercing chill,

And through the hawthorn blows the gale,

With solemn feet I tread the hill,

That overbrows the lonely vale.

O'er the bare upland, and away

Through the long reach of desert woods,

The embracing sunbeams chastely play,

And gladden these deep solitudes.

Where, twisted round the barren oak,

The summer vine in beauty clung,

And summer winds the stillness broke,

The crystal icicle is hung.

Where, from their frozen urns, mute springs

Pour out the river's gradual tide,

Shrilly the skater's iron rings,

And voices fill the woodland side.

Alas! how changed from the fair scene,

When birds sang out their mellow lay,

And winds were soft, and woods were green,

And the song ceased not with the day!

But still wild music is abroad,

Pale, desert woods! within your crowd;

And gathering winds, in hoarse accord,

Amid the vocal reeds pipe loud.

Chill airs and wintry winds! my ear

Has grown familiar with your song;

I hear it in the opening year,

I listen, and it cheers me long.

~Henry Wadsworth Longfellow

::: new year's eve :::

Just a glimpse
of a cardinal red scarf
and cap.
Another guest leaves the party.
Catch that moment.
Ball it up and tuck it into
the pocket of your acrylic sweater,
the grey one with the hood,
the one you wore while you sat
in the corner
in the rocking chair,
so that when you next
thrust your hands into the
too-long sleeves
and the just-right pouches,
you'll find it
and hear the banjo
and the cajon
and the sexy bass solo
and the improvised oboe voices
because the oboe remained unseen.
Taste the peanut soup
and the peppernuts
and the green chili dip,
warm, but not spicy,
spread thickly on crisp Ritz crackers.
Drink the sparkling citrus punch
spiked with Vernor's,
and pick the raspberry seeds
from between your teeth.
From the deep softness of that pocket,
bring it out,
and then you'll sing the harmonies
loudly in your head
and feel the warm, worn wooden floor
bounce beneath your feet.
Yes, for now,
ball it up,
that moment.
Tuck it in,
that memory.
But don't leave it there.
Shake it out
and play it again,
and this time,
you can sing out loud.
You can
take the stage, too.

::: walking away :::

The Journey

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice--
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do--
determined to save
the only life you could save.

© Mary Oliver
HT to Tonia

::: a million canaries :::

How do you explain to a child,
that seeing is not always believing?
That the stars still exist in the daytime,
even when the sun is out,
but that there are no monsters
under her bed
or
in her closet
or
outside her window
watching her lay scared into sleeplessness?

How do you explain it to a child,
that God loves us,
protects us,
provides for us,
through the reality of nightmares,
the cruelty of friendship,
the unfairness of death?

How do you explain to yourself
that believing is more than seeing?
That yellow birds hang suspended
in the cloud-dotted blue?
That the greatest of these
is that one thing
that doesn't seem to be working?

How do you explain to yourself
that God loves us,
protects us,
provides for us
through the reality of disease,
the cruelty of depression,
the unfairness of economic poverty?

And yet he does,
and he does,
and he does.

When the yellow bird sails
and my fingers bend
and the stars shine,
I know.

Men can take from me
my life,
my Prozac,
my 401K,

But if the yellow bird hanging suspended
in the cloud-dotted blue
spirals to the ground,
he knows it,
and only he holds my soul
and he values me--
he values you--
more than a million canaries.

So I will speak in the daylight
what he tells me when I bolt upright,
in a pool of cold sweat;
What he whispers in my ear,
I will sing in my own voice 
as I stand on the shingles of my roof.

He does!
And he does!
And he does!

::: seeking the waterfall :::

As part of our Ambleside curriculum, the girls and I have been studying the world's wonders through our geography book, Richard Halliburton's Book of Marvels, The Occident. Richard Halliburton is our absolute favorite geography teacher, though he's been gone from this world since 1939, shortly after The Occident was written. While reading The Occident and one of our other geography books. V.M. Hillyer's  A Child's Geography of the World, I got the itch to visit Niagara Falls. After doing a little research, I discovered that The Falls are only a five-hour drive from us and asked Bo if he'd be up for sitting behind the wheel for ten hours. It wasn't until after he'd agreed and I'd made the plans that I found out he'd never seen The Falls!

So, early Saturday morning, while 19-year-old Bard was on Fall break from University, Bo and I woke everyone (except 18-year-old Houdin, who is at Discipleship training for his trip to Africa) early in the morning and prodded them into the car for a road trip. "We'll be in the car for ten hours," we told them. "Bring a change of clothes. And comfortable shoes. And a raincoat. You might get wet!"

They were confused and thrilled as we passed first a sign for Pennsylvania, and then New York, and then, when they just couldn't take it anymore, we told them where we were going. Some were less-than-thrilled. The Baby thought we were going to a movie or an amusement park.

But once they got there, and they saw the rushing Niagara River and the absolutely breathtaking Falls, they were smitten. The winds were high as we rode the crashing waves of Horseshoe Falls on the Maid of the Mist, yanking shouts of joy and amazement from our bodies.

We got wet. Very wet. I was so thankful that we had and brought our waterproof camera. And that change of clothes!

When we all climbed back into the car for the ride home, we were exhilarated, inspired, ALIVE! A stop at Steak 'N Shake for dinner and a run to the Krispy Kreme next door (we can't get Krispy Kreme near us anymore!) made the day just about as perfect as it could get.

No car breakdowns! No major arguments! No unexpected expenses! And our randomized playlist even seemed to cooperate, throwing out songs like "Running with the Buffalo" by Peter Mayer, "Counting Road Signs" by Jonathan Reuel, "Coastline" by Brothers Creeggan, "Get On Your Boots" by U2, and "Suitcase" by Over the Rhine, and, just as we were rounding the last curves before our road at 10:45 PM, "Golden Slumbers" by The Beatles filled the van full of sleeping, sleepy and half-asleep travelers.

While the characters in Whittier's poem below didn't find the waterfall they sought, we did, and we were pleased in the seeking, as well.

Seeking of the Waterfall
~John Greenleaf Whittier

They left their home of summer ease
Beneath the lowland's sheltering trees,
To seek, by ways unknown to all,
The promise of the waterfall.

Some vague, faint rumor to the vale
Had crept--perchance a hunter's tale--
Of its wild mirth of waters lost
On the dark woods through which it tossed.

Somewhere it laughed and sang; somewhere
Whirled in mad dance its misty hair;
But who had raised its veil, or seen
The rainbow skirts of that Undine?

They sought it where the mountain brook
Its swift way to the valley took;
Along the rugged slope they clomb,
Their guide a thread of sound and foam.

Height after height they slowly won;
The fiery javelins of the sun
Smote the bare ledge; the tangled shade
With rock and vine their steps delayed.

But, through leaf-openings, now and then
They saw the cheerful homes of men,
And the great mountains with their wall
Of misty purple girdling all.

The leaves through which the glad winds blew
Shared. the wild dance the waters knew;
And where the shadows deepest fell
The wood-thrush rang his silver bell.

Fringing the stream, at every turn
Swung low the waving fronds of fern;
From stony cleft and mossy sod
Pale asters sprang, and golden-rod.

And still the water sang the sweet,
Glad song that stirred its gliding feet,
And found in rock and root the keys
Of its beguiling melodies.

Beyond, above, its signals flew
Of tossing foam the birch-trees through;
Now seen, now lost, but baffling still
The weary seekers' slackening will.

Each called to each: "Lo here! Lo there!
Its white scarf flutters in the air!"
They climbed anew; the vision fled,
To beckon higher overhead.

So toiled they up the mountain-slope
With faint and ever fainter hope;
With faint and fainter voice the brook
Still bade them listen, pause, and look.

Meanwhile below the day was done;
Above the tall peaks saw the sun
Sink, beam-shorn, to its misty set
Behind the hills of violet.

"Here ends our quest!" the seekers cried,
"The brook and rumor both have lied!
The phantom of a waterfall
Has led us at its beck and call."

But one, with years grown wiser, said
"So, always baffled, not misled,
We follow where before us runs
The vision of the shining ones.

"Not where they seem their signals fly,
Their voices while we listen die;
We cannot keep, however fleet,
The quick time of their winged feet.

"From youth to age unresting stray
These kindly mockers in our way;
Yet lead they not, the baffling elves,
To something better than themselves?

"Here, though unreached the goal we sought,
Its own reward our toil has brought:
The winding water's sounding rush,
The long note of the hermit thrush,

"The turquoise lakes, the glimpse of pond
And river track, and, vast, beyond
Broad meadows belted round with pines,
The grand uplift of mountain lines!

"What matter though we seek with pain
The garden of the gods in vain,
If lured thereby we climb to greet
Some wayside blossom Eden-sweet?

"To seek is better than to gain,
The fond hope dies as we attain;
Life's fairest things are those which seem,
The best is that of which we dream.

"Then let us trust our waterfall
Still flashes down its rocky wall,
With rainbow crescent curved across
Its sunlit spray from moss to moss.

"And we, forgetful of our pain,
In thought shall seek it oft again;
Shall see this aster-blossomed sod,
This sunshine of the golden-rod,

"And haply gain, through parting boughs,
Grand glimpses of great mountain brows
Cloud-turbaned, and the sharp steel sheen
Of lakes deep set in valleys green.

"So failure wins; the consequence
Of loss becomes its recompense;
And evermore the end shall tell
The unreached ideal guided well.

"Our sweet illusions only die
Fulfilling love's sure prophecy;
And every wish for better things
An undreamed beauty nearer brings.

"For fate is servitor of love;
Desire and hope and longing prove
The secret of immortal youth,
And Nature cheats us into truth.

"O kind allurers, wisely sent,
Beguiling with benign intent,
Still move us, through divine unrest,
To seek the loveliest and the best!

"Go with us when our souls go free,
And, in the clear, white light to be,
Add unto Heaven's beatitude
The old delight of seeking good!"

::: thou'st made the world too beautiful this year :::

Oh world, I cannot hold thee close enough!
Thy winds, thy wide gray skies!
thy mists that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with color! That gaunt crag
To crush! To lift the lean of that black bluff!
World, world, I cannot get thee close enough!

Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart. Lord, I do fear
Thou’st made the world too beautiful this year.
My soul is all but out of me–let fall
No burning leaf; prithee, let no bird call.

—Edna St. Vincent Millay in God’s World

::: autumn movement :::

I cried over beautiful things knowing no beautiful thing lasts.

The field of cornflower yellow is a scarf at the neck of the copper
sunburned woman, the mother of the year, the taker of seeds.

The northwest wind comes and the yellow is torn full of holes,
new beautiful things come in the first spit of snow on the northwest wind,
and the old things go, not one lasts.
~Carl Sandburg

::: october :::

The green elm with the one great bough of gold
Lets leaves into the grass slip, one by one, –
The short hill grass, the mushrooms small milk-white,
Harebell and scabious and tormentil,
That blackberry and gorse, in dew and sun,
Bow down to; and the wind travels too light
To shake the fallen birch leaves from the fern;
The gossamers wander at their own will.
At heavier steps than birds' the squirrels scold.
The rich scene has grown fresh again and new
As Spring and to the touch is not more cool
Than it is warm to the gaze; and now I might
As happy be as earth is beautiful,
Were I some other or with earth could turn
In alternation of violet and rose,
Harebell and snowdrop, at their season due,
And gorse that has no time not to be gay.
But if this be not happiness, – who knows?
Some day I shall think this a happy day,
And this mood by the name of melancholy
Shall no more blackened and obscured be.

by Edward Thomas (1878 – 1917)

::: glass of milk :::

I'm painting your bed

with strokes of white,

covering over what's chewed,

and chipping

and imperfect.

A new coat, Glass of Milk,

on the headboard

and the footboard.

I'm painting your bed,

on the porch, in the breeze,

forcing myself into the cracks

that were neglected

that were missed before.

I try to avoid painting

the porch rail,

the spiderwebs.

I'm painting your bed

while you're away for a time,

forming relationships with others,

distant from our home

but not from my heart.

When you return,

you'll rest in clean sheets

with a cat at your feet.

I'm painting your bed

and it's hard for me,

because I have good ideas

which are often started

but not finished.

And so I force myself

to accomplish this thing

before you come back to sleep.

::: autumn :::

by Henry Wadsworth Longfellow

There is a beautiful spirit breathing now
Its mellow richness on the clustered trees,
And, from a beaker full of richest dyes,
Pouring new glory on the autumn woods,
And dipping in warm light the pillared clouds.
Morn on the mountain, like a summer bird,
Lifts up her purple wing, and in the vales
The gentle wind, a sweet and passionate wooer,
Kisses the blushing leaf, and stirs up life
Within the solemn woods of ash deep-crimsoned,
And silver beech, and maple yellow-leaved,
Where Autumn, like a faint old man, sits down
By the wayside a-weary. Through the trees
The golden robin moves. The purple finch,
That on wild cherry and red cedar feeds,
A winter bird, comes with its plaintive whistle,
And pecks by the witch-hazel, whilst aloud
From cottage roofs the warbling blue-bird sings,
And merrily, with oft-repeated stroke,
Sounds from the threshing-floor the busy flail.

::: at midnight :::

Dogs are barking.
Drums are beating.
Piano is pounding.
Fan is blowing.
Laundry is waiting.
I am stressing.
I am stressing.
I am stressing.

School is frustrating.
Homework is baffling.
Sunday's approaching;
Houdin will be leaving.
Laundry is waiting.
I am stressing.
I am stressing.
I am stressing.

Book is inspiring.
God is amazing.
Life is so challenging.
Morning is coming.
Bus will be waiting.
I am stretching.
I am stretching.
I am stretching.

::: if i get there before you do, i'll cut a hole and pull you through :::

How do you like to go up in a swing,
Up in the air so blue?
Oh, I do think it the pleasantest thing
Ever a child can do!

Up in the air and over the wall,
Till I can see so wide,
Rivers and trees and cattle and all
Over the countryside—

Till I look down on the garden green,
Down on the roof so brown—
Up in the air I go flying again,
Up in the air and down!

~Robert Louis Stevenson

This is one of the girls' favorite poems, and when we read daily from The Child's Garden of Verses, this one is almost always read. The older children sang a version of it for choir.

Isn't swinging one of those simple, lovely things that makes childhood grand? One of my favorite memories is of my dad pushing me on my little metal swingset in the back yard, me soaring, he loudly singing, "Swing lo, sweet cherry-ought. Comin' for to carry me home." I can remember how I would rush to the swingset at the school next to my aunt's house, even into my teens, when my friend and I would pump our feet to the rhythm of our own voices singing The Steve Miller Band's Fly Like an Eagle.

It's great fun as a child. But somewhere along the line, we decide, or someone tells us, that we're too old for it, and then, when we want to return to it, our bottoms are too big for the seats, or our feet drag on the ground. But if we can get past those parts, it's still a simple, lovely thing to do.

And swinging in sync with a friend? Ah. Magical, isn't it?

I loved watching Sweetheart, The Baby, and their friend Lydia fly through the air, giggling, trying to slow down and speed up to match each other's flight. And even the competition that took place was interesting to watch. The synchronized swinging almost became an obsession with some, and a non-issue with others, and for those some who took it seriously, the fact that no one would sync with her was a great insult to her psyche.

Life is like that. There are things I take way to seriously, and someone might be able to say to me that it's no big deal, that I should just shrug it off, that it doesn't really matter anyway. But that doesn't erase my human emotions, my desire for relationship, my confusion when someone I love, or someone I try to love, rejects me, deals with me callously, or misunderstands my intentions. Why does it matter? Why does it bother me so? Why, when people who love me, people who really know me, people I respect and admire, tell me to forget about it, shrug it off, can't I do so?

I must not be the only one. I was listening to a repeat show on This American Life, an NPR radio program that I download as a podcast each week. This week's theme was The Kindness of Strangers. In it, Brett Leveridge tells the story of his experience of standing on a subway platform. A stranger, which, of course, means someone Brett doesn't even know, probably someone that no one waiting on the subway knows, meanders along the platform, and chooses people as if choosing players for a kickball game: "You're in. You're out. You can stay. You have to leave." But it wasn't like the people who were told they had to go left. They just ignored this strange person. Not Brett, though. For some reason, as the guy approached Brett, all he could think about was how he hoped the guy would approve of him. A guy he didn't even know. A total stranger.

So if, as humans, it matters to us that a total stranger approves of us, how much more important must it be that someone we know, someone who at least in modicum knows us, rejects us?

This is why, I believe, the person of Christ is so compelling. He was, and is, what we long to be. Perfect. Without sin. Blameless. And we long so much for that perfection and blamelessness, for that relationship and acceptance, that it's almost unbearable when someone rejects us for reasons we can't fully understand, even if it's a person we don't particularly like. Even if it's a person we can't really stand at all.

But here was Jesus, and, yeah, like I said. Perfect. Without sin. Blameless. And still, He had enemies. He was despised and rejected. Those He loved denied Him, betrayed Him, doubted Him. What must that have felt like for Him, who didn't just feel He hadn't done anything wrong. He really hadn't done anything wrong!

And so I know that, with all of my flaws and failures, I can't expect to be unconditionally loved by anyone but God, but this feeling of swinging so high, of laughing and and feeling that weightlessness, and laughing, and then falling and scooping so low, and reaching out my hand to sync with someone who chooses to keep theirs death-gripped tightly on the chains, pumping their feet so that they can rise higher and higher and higher than I, is always a bit of a shock to me. Hey, I think, wasn't this supposed to be fun?

And on the worst of days, I just want to jump off of the swing altogether.

My son told me recently that it takes seven positive comments to counteract one negative one. Seven. For every. single. negative. So if you get totally chewed out by someone, told in every way how you've failed, what a loser and terrible person you are, just imagine how much encouraging and building up your loved ones have to do to cancel out what that one uncaring, selfish, unthinking person did.

Wow.

No wonder it's so hard to love. It takes persistence, doesn't it? We have to keep undoing all that's been done, not just by us, but by others, too.

I guess that's why I want to be the one who swings next to you, who, when you reach out your hand for someone to sync with, grabs that hand and sticks right next to you, keeping time with your rhythm, no matter how high or low you go.

Sometimes I'm up, sometimes I'm down
Coming for to carry me home
But still my soul feels heavenly bound
Coming for to carry me home

The brightest day that I can say
Coming for to carry me home
When Jesus washed my sins away,
Coming for to carry me home.

::: neighbors :::

by Rudyard Kipling

The man that is open of heart to his neighbour,
And stops to consider his likes and dislikes,
His blood shall be wholesome whatever his labour,
His luck shall be with him whatever he strikes.
The Splendour of Morning shall duly possess him,
That he may not be sad at the falling of eve.
And, when he has done with mere living--God bless him!--
A many shall sigh, and one Woman shall grieve!

But he that is costive of soul toward his fellow,
Through the ways, and the works, and the woes of this life,
Him food shall not fatten, him drink shall not mellow;
And his innards shall brew him perpetual strife.
His eye shall be blind to God's Glory above him;
His ear shall be deaf to Earth's Laughter around;
His Friends and his Club and his Dog shall not love him;
And his Widow shall skip when he goes underground!

Kipling is our poet for this term of Ambleside. While I love his work, whether it's prose or poetry, some of it is a little too wordy and laden with obscure historical and cultural references for my fifth and first year girls. This was one piece that we could all enjoy, and the message is quite clear, also.

::: sleep! sleep! beauty bright :::

Sleep! sleep! beauty bright,
Dreaming o'er the joys of night;
Sleep! sleep! in thy sleep
Little sorrows sit and weep.

Sweet Babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.

As thy softest limbs I feel,
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart does rest.

O! the cunning wiles that creep
In thy little heart asleep.
When thy little heart does wake
Then the dreadful lightnings break,

From thy cheek and from thy eye,
O'er the youthful harvests nigh.
Infant wiles and infant smiles
Heaven and Earth of peace beguiles.

~William Blake

::: oh, won't you show me the way, everyday :::

Father in heaven,
here's what I'm tired of:
measuring my days by
the next paycheck,
the next financial output,
and whether the upcoming financial infusion
will cover it.

I'm tired of my waking thoughts,
and my sleeping ones, too,
being overwhelmed by the debts I haven't paid,
and the debts that are racing toward me,
unstoppable obligations.

I need a reprieve.
I need to know that I'm settled with everyone,
and everyone is settled with me.
I need a jubilee.

I don't want welfare.
I don't want charity.
I just want a break
from the worrying
and the figuring
and the guilt
and the comparisons
and the resentment
and the fear.

So, God, how about if you
do something about this black heart of mine?
Help me to find a balance
between the want
and the need?
Fill me with the energy that I need
to do things the right way?
Point me to the tilapia,
that holds in its body the drachma
that will pay both of our debts?

Please,
give me my daily bread,
so that I can rest easy,
love easy,
laugh easy,
and share with those who
are tired, too.

::: an august midnight :::

by Thomas Hardy

I

A shaded lamp and a waving blind,
And the beat of a clock from a distant floor:
On this scene enter--winged, horned, and spined -
A longlegs, a moth, and a dumbledore;
While 'mid my page there idly stands
A sleepy fly, that rubs its hands . . .

II

Thus meet we five, in this still place,
At this point of time, at this point in space.
- My guests parade my new-penned ink,
Or bang at the lamp-glass, whirl, and sink.
"God's humblest, they!" I muse. Yet why?
They know Earth-secrets that know not I. 

At the Recital

I felt a dream today,
my cheekbone against the top of your head,
separated only by the thickness of my flesh
and the softness of your hair;
Deep breaths through my nostrils,
inhaling the scent of you,
feeling your pulse against my face
(or was it mine?),
I had to coax myself into realizing
that you were real.

::: ode to the cherry tree :::

Blow-Up

Our cherry tree
Unfolds whole loads
Of pink-white bloom -
It just explodes.

For three short days
Its petals last.
Oh, what a waste.
But what a blast.

~X. J. Kennedy

When we bought our first piece of property in a rural county eight and a half years ago, one of the first things I did was take seriously author Gene Logsdon's advice to plant fruit trees first. I ordered a selection of bareroot dormant saplings from Schlabach's Nursery and waited. Our good friend Richard, who had sold us the property, came with a tractor and auger attachment and dutifully dug holes where I pointed, which I then filled with organic junk--manure, peat, sawdust--and I was ready for my trees to arrive. 

When they came, life was moving a bit too fast, so I followed the instructions, keeping what looked like dead sticks moist and cool. I couldn't believe, looking at these things, that they would ever actually be trees. And I was right, for some of them. The nectarine and one plum never did grow. One peach tree filled with peaches last summer and then, before they ripened, before the promise of peach jam and peach pie, they all withered and the tree died. It stands there still. I haven't yet had the heart to cut it down. I kept hoping that, this year, in the face of all that is obvious, it would still bloom and produce fruit, but it has not. 

The cherry tree, however, which was actually planted very first and came not from Schlabach's Nursery but from a greenhouse sale the very first year we were here, was planted in the fall of 2000 and has grown into a fine and beautiful tree. It's called a Hedelfingen Cherry tree and is supposed to produce sweet cherries. Unfortunately, we haven't really had much fruit from it, and the cherries are not large and sweet, but small and light in color. I planted a companion for this tree in hopes of providing a pollinator, but that tree hasn't grown so well and even had to work hard to recover from the damages caused by renegade goats. 

But the blooms on the Hedelfingen tree are beautiful, and when I look out my kitchen window to see the bursts of white inviting the bees to come and feast, my heart knows that it's spring. It asks me if I'd like to stop what I'm doing, pack a picnic lunch, and relax beneath its boughs. 

I'm so glad that I took Mr. Logsdon's advice. I do hope to come up with a good pest prevention program, as my poor trees are constantly attacked by every aphid and curculio there can possibly be, but, still, the benefits of beauty remain. 

Follow Mr. Logsdon's advice. Do yourself and the bees a favor. Plant a fruit tree today! 

Dear March

Dear March -- Come in --
How glad I am --
I hoped for you before --

Put down your Hat --
You must have walked --
How out of Breath you are --
Dear March, Come right up the stairs with me --
I have so much to tell --

I got your Letter, and the Birds --
The Maples never knew that you were coming -- till I called
I declare -- how Red their Faces grew --
But March, forgive me -- and
All those Hills you left for me to Hue --
There was no Purple suitable --
You took it all with you --

Who knocks? That April.
Lock the Door --
I will not be pursued --
He stayed away a Year to call
When I am occupied --
But trifles look so trivial
As soon as you have come

That Blame is just as dear as Praise
And Praise as mere as Blame

Emily Dickinson