Of course I read fabulous classics when I was younger. My literature teachers were my favorite teachers of all. Mrs. Wise read A Wrinkle in Time aloud to the class and I was forever smitten. Mrs. Berry was in love with Natty Bumpo, so I was, too. Mrs. Hunt introduced me to Chaucer and Beowulf. My American Humor professor showed me Dorothy Parker, Langston Hughes, James Thurber and Ring Lardner. As an English major and wannabe writer, I immersed myself in a Vonnegut phase, passing that same obsession on to my daughter, who is now an English major herself. As an adult, I've read Jane Austen, Charles Dickens, E.M. Forster and C.S. Lewis.Even so, I've missed a lot of great books and am just now beginning to discover writers I should have discovered years ago. Where has Thomas Hardy been all my life? Why didn't I know about Wordsworth? And for the love of Pete, why am I just now discovering Ray Bradbury?!?
I picked up a copy of The Illustrated Man at my favorite thrift store and read it nonstop with increasing fascination. The Veldt was eerily creepy and too terribly close to the truth. The Man was about how we miss Jesus even when we're really looking for him. The Rocket was heartbreaking and touching. Bradbury's irony and spot-on assessment of the direction in which we're heading is eye-opening. Why did it take me so long to read this stuff?
I've just finished Farenheit 451, a book written in the 50's but set in the 90's, telling the tale of an America where books are illegal and firemen start fires instead of putting them out. I found myself nodding and even agreeing aloud as I listened to the passages about Montag's wife's disconnect from personal relationships which had been replaced by her seashells (think earbuds), and her family (think plasma televisions on all the walls of your living room and reality t.v. that can interact with you). Only two people that Montag meets seems to understand what real experiences are; Clarisse, a young girl who describes herself as "seventeen and crazy," and Professor Faber. In one passage, Professor Faber tells why certain books, in this case The Bible which Montag, a fireman, has stolen from a house he was about to help burn, are so irreplaceable.
"Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me, it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more 'literary' you are. That's my definition anyway. Telling detail. Fresh detail. The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.If you haven't read anything by Ray Bradbury, now is the time. Our country is beginning to make choices about how our children communicate with the world, what has real meaning, and it seems that we're heading down the wrong path. We're in danger of losing quality, of replacing real experiences with very sorry placebos in the forms of mediocre television shows, meaningless or, worse, harmful, violent video games, chatspeak and text messaging, movies that speak pseudo-wisdom in hushed, reverent tones. With our cell phones and blackberries and iPods and laptops, we're always available, yet always wanting to be somewhere else, talking to someone else, listening to something else. And even though we're entertained every day, almost the whole day long, we're still not satisfied. As Montag says to Faber, "We have everything we need to be happy, but we aren't happy. Something's missing." What's missing? God created us to have fellowship with him and with his people, and we're trying to replace that desire with any quick fix we can find.
"So now do you see why books are hated and feared? They show the pores in the faces of life. The comfortable people want only wax moon faces, poreless, hairless, expressionless. We are living in a time when flowers are trying to live on flowers, instead of growing on good rain and black loam. Even fireworks, for all their prettiness, come from the chemistry of the earth. Yet somehow we think we can grow, feeding on flowers, and fireworks, without completing the cycle back to reality."
It's time to get back to quality, don't you think? To real experiences. To real relationships. To actual communication, conversation, faith, art, music, literature.
To the pores in the faces of life.




